Surprisingly, I haven’t read as much as I usually do in
lockdown. If I knew how long I would be at home at the beginning of lockdown, I
would probably be shocked at how little I have read so far. I think this may be
because I have been substituting some of the time I could be reading with a lot
of writing and have been doing a few other different activities I wouldn’t
normally do as well. The main times I read in “normal life” are on long
journeys or audiobooks as I am getting ready for work in the morning- and as I
am doing neither as much lately, I think that may be part of the issue also. I
have had more time to think about what I am reading though. Usually
(particularly when on holiday) I would just jump from book to book, swiftly
picking up the next as soon as I had closed the previous, and I didn’t fully
digest what I read. Now, I have more time, I am reading much more slowly and
having a break before I pick up the next. Another way in which my reading is
different is that (now that I am writing a lot more) I feel like I am looking
at novels in a different way. I am thinking more about the writer’s process,
wondering how they might have planned their narrative arc, why they have
characterised characters in particular ways, etc. I am even starting to think
about how I would have written the concept for the book (definitely not saying
I would have written it any better, but it is interesting and fun to think
about different ways the story could have gone!). I have always known, but now
understand more than ever, how much reading can support your writing. Different
books can support so many different writing ideas, so I thought I would write a
little bit of my reading experience (as of late) and how these books have
influenced my writing and the way I look at things.
This is one of the first books I read in lockdown and
although it is anthology of all things Spring and not a fiction book as such,
it really made me feel happy thinking about that transition from Winter into
Spring and how much nature can influence mood and atmosphere. I love the change
in seasons and would love to include more exploration of season change and
nature in my writing. I feel that anthologies like this are a great place to
start for inspiration.
I
used to be obsessed with Greek Mythology as a child. I would read The Gorgan’s
Head (pictured-not a lockdown read) over and over again… you can probably tell
from the discolouration and bent cover… It used to scare me a little bit, yet
for some reason it would be the “go to” read when I wasn’t supposed to be
reading at night time and I had to sneak out into the hall where the light was
left on in order to read it. Despite my childhood obsession, I hadn’t touched
anything with any reference to Greek Mythology since studying Homer at University,
so it was lovely to take the time to read this Greek re-telling (pictured left). I
really enjoyed it and I really liked the romantic element. I have never been
any good at writing romance or non-platonic intimate connections between
characters, so I felt I learnt a lot about crafting those believable
relationships from reading this.
I really liked the tone and atmosphere of “The Secret
History” (my next read). It is totally in line with the atmosphere I like to
build in my writing, bordering more on the unsettling and eerie, and I really
enjoyed how obsession and the nuances of character motivation was explored
using the unreliable narrator. I love narrators who I can judge, speculate
about and not entirely trust, and I am keen to build some of these narrators
into more of my narratives.
Next was “Americanah.” I had been meaning to read this for
such a long time. It had been on TBR for at least half a year and I am really
glad I got around to reading it in lockdown. This was a fantastic novel on many
levels. It was extremely layered, and again, I feel like it taught me a lot
about characterisation and how much impact nuances in social interaction can
have within a narrative.
And finally, I am reading “The Last.” This is actually a
book my husband had purchased for himself. I am at the stage now of scouring
the bookshelves for books I haven’t read yet or have accidently neglected to
pick up, and I was initially hesitant wtih reading a book about the end of the
world in the current climate. I haven’t finished it yet, but am enjoying the
mystery it is currently conveying and I am thinking about how I might best
evoke curiosity and mystery within my own writing- particularly as I am
intending on writing a YA thriller.
I would love to know what you have been reading in lockdown.
Leave me a comment and let me know all about your current reading journeys 😊
Rivers of London series by Ben Aaronovitch.
ReplyDeleteUrban fantasy set mostly in London. New Met recruit PC Peter Grant discovers a long standing world of magic when he joins the "Falcon," department and learns to become a "Practitioner (wizard)." Good mix of mundane police procedures and magical mystery. Basically Harry Potter in the police. Very good.
Well, I am sold at the "basically Harry Potter."
DeleteMy reading paterns changed too and I get that when you're writing you start reading more critically, trying to think about what went one behind the scenes.
ReplyDeleteThat "The Gorgon's Head" seems especially interesting to me!
If you're looking for more reads, I've posted a couple of Reading Lists but as a writer I'd mostly recommend Jessica Page Morrell's "Bullies Bastards & Bitches: How to Write the Bad Guys of Fiction is a guide on how to create evil characters".
I will be sure to check out. I love a good antagonist and any advice on creating them is certainly helpful.
Delete